Everything on the site, in one register

Twenty-six pieces across five sections. The section pages lay the same material out with its photography; this is the flat list.

	Piece	Section
01	Deakins Shot It Anamorphic, and Let the Sun Do the Grading	The Making
02	Glamis, Brawley, and a Mexicali Stand-In for Kuwait	The Making
03	Gassner Built a Desert That Had to Look Unbuilt	The Making
04	Newman Scored the Waiting, Not the War	The Making
05	What the MOPP Suit Actually Is, and What It Cost to Wear One on Screen	The Making
06	The Corps on Set: Technical Advice and Its Limits	The Making
07	Between American Beauty and Everything Else: Mendes's Second Film	The Making
08	Swofford Wrote It First, and the Film Argues with Him	The Book
09	What the Book Has That the Film Skips, and the Other Way Around	The Book
10	Broyles Went to the Gulf Himself: What That Did to the Script	The Book
11	The Sequel That Didn't Follow the Same Road	The Book
12	Three Kings Was the Argument Jarhead Answered	The Field
13	Bigelow's Answer: What The Hurt Locker Did Three Years Later	The Field
14	Courage Under Fire and the Gulf War Before Anyone Had Processed It	The Field
15	American Sniper and the Box Office the Genre Never Expected	The Field
16	Generation Kill: When the Genre Moved to Seven Episodes	The Field
17	Gunner Palace: Uday Hussein's Pool House and What Came After	The Field
18	Restrepo and the Year a Documentary Won the Grand Jury Prize at Sundance	The Field
19	The War That Played Live, and What That Did to Every Film That Followed	The Field
20	The Burning Wells: Six Frames and What Deakins Did with Them	Stills
21	Oil Rain on a Marching Column: How That Shot Was Made	Stills
22	Sand, Smoke, and the Colours Deakins Refused to Correct	Stills
23	Gyllenhaal, Foxx, Sarsgaard: How the Principal Cast Was Assembled	Credits
24	9 November 2005: The Release Record, the Gross, and the Award Nominations	Credits
25	Where Jarhead Sits in Thirty Years of Deakins	Credits
26	Newman's Silence: A Composer Who Knows When Not to Play	Credits