
Section 03
8 pieces
The Gulf War on screen — from Three Kings to The Hurt Locker, and the shadow of Apocalypse Now.
01
David O.
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02
Kathryn Bigelow's 2008 film in relation to Jarhead — same conflict geography, opposite temperament, a director who chose action where Mendes chose waiting.
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03
Edward Zwick's 1996 film as the first major Gulf War feature — made before the conflict had settled into a genre, with Denzel Washington and Meg Ryan in the first fiction to grapple directly with the 1991 ground campaign.
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04
Clint Eastwood's 2014 film with Bradley Cooper as Chris Kyle — its production history, its box-office performance (the highest-grossing domestic release of 2014 per Box Office Mojo figures published that year), and where it sits in the Gulf-and-Iraq genre beside Jarhead..
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05
David Simon and Ed Burns's 2008 HBO miniseries as a structural departure — the same embed journalism tradition as Jarhead's memoir roots, but given the space of seven hours.
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06
Michael Tucker and Petra Epperlein's 2004 documentary, filmed with the 2/3 Field Artillery battalion in Baghdad — the film that placed the genre's documentary wing alongside its fiction arm at the same historical moment as Jarhead's production..
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07
Sebastian Junger and Tim Hetherington's 2010 Afghanistan documentary — its Sundance Grand Jury Prize, its year in the Korengal Valley with the 173rd Airborne, and how it extended the war-documentary tradition that Gunner Palace had reopened.
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08
How the 1991 Gulf War's televised coverage — CNN, the pool-feed imagery, the green night-vision footage — created a visual vocabulary that Jarhead, Three Kings and Courage Under Fire all had to answer.
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